![]() After his untimely passing, Vince Welnick (synthesizer) and (for a brief time) Bruce Hornsby (piano/synthesizer) were Mydland's replacements. Through July of 1990, Brent Mydland (keyboards/Midi keyboard/synthesizer) was the primary ivory tickler. These excursions typically occurred during the second set and were followed by a few minutes of free-form exchanges from the band's co-founders Jerry Garcia (guitar/electronic percussion/synthesizer), Phil Lesh (bass/synthesizer), and Bob Weir (guitar/midi guitar/synthesizer). ![]() The roar of the expectant audience then leads into "Parallelogram" the first of several rhythm-intensive selections with Mickey Hart (trap drums/timbales/electronic percussion/toms/synthesizer) and Bill Kreutzmann (trap drums/beast/beam/electronic percussion/talking drum) at the helm. Opening the disc is the audience-participating "Crowd Sculpture," setting the communal pre-show scene with a mélange of sonic experiences starring the typical Grateful Dead parking lot denizens doing their respective thing. ![]() The audio was reconfigured and combined into four distinct multi-movement suites - all of which were named by Grateful Dead lyricist Robert Hunter. The nearly hour-long instrumental interplay on Infrared Roses (1991) came from a variety of concert performance excerpts circa 19.
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